For some time now, Alix Eynaudi has been deeply involved in her project Noa&Snow, which is a socio-choreographic experiment between the everyday and the event, and which aims to explore the capacities of poetry to ignite imagination across several writing modes in order to shed some light on the possible articulations between performance practices and writing practices. Throughout this project, she asks the question: “What is being reproduced while making art?” We’ll be hosting Eynaudi’s installation, Insomnia, in which she further develops an exploration of the power of text and books: “I can't come to terms with imagining the/my work without touch(ing). Touch my books, write in them, rewrite them, correct them, alter, mark, comment them, maybe read them out loud: re-publish them. Here is a selection from my library, in the midst of all these incertitudes, a stretch of my home, a Vienna-Ljubljana voyage, a place you can read in. Merely borrowing, lending books; borrowing words and travelling against all odds.”

# touch my book, what is reproduced, touch as necessity, installation, write, change, incertitude, against all odds

© Alix Eynaudi